The Watusi Theme exists in the same space as the Hawaiian-shirted Tiki bar and the faux-Polynesian "Aloha" trim on station wagons. It is a whitewashed fantasy of the "other." For a modern collector, appreciating the Watusi requires a double consciousness: You can love the design, the colors, the audacity of the wavy stripe, while also acknowledging that it was a clumsy, commercial extraction of African culture.
The Watusi Theme teaches us a simple lesson: A Congolese dance becomes a New York craze becomes a Detroit paint scheme becomes a collector's holy grail. The meaning changes, but the rhythm remains. Watusi Theme
This is the story of how a Congolese dance craze, a compact car, and a marketing director with nothing to lose created a timeless artifact of kitsch. Before it was a vinyl stripe, “The Watusi” was a dance. In 1960, the continent of Africa was exploding into independence. The Belgian Congo became the Republic of the Congo, and Western media became briefly, obsessively fixated on the “exotic” imagery of the continent. The Watusi Theme exists in the same space
Today, a surviving 1963 Dodge Dart Watusi is a unicorn. Estimates suggest fewer than 300 were ever built, and maybe 30 exist today. A pristine, numbers-matching Watusi convertible can fetch upwards of $60,000 at auction—ten times what a standard Dart of the same year would bring. The meaning changes, but the rhythm remains