Wolfe argues that three men — critic Clement Greenberg, Harold Rosenberg, and theorist Leo Steinberg — became the true artists. They invented the ideology of the avant-garde: that art must progress, that representation is dead, and that the only honest painting is one that announces its own flatness. According to Wolfe, artists like Jackson Pollock or Barnett Newman weren’t geniuses; they were obedient illustrators of these critics’ texts. The gallery wall, he quips, became just a “billboard” for a literary idea.
Tom Wolfe’s thesis is as blunt as his white suit: By the mid-20th century, the world of modern art (from Abstract Expressionism to Minimalism) ceased to be about the visual. It became, in his famous phrase, — a picture that exists primarily to illustrate a theory. tom wolfe the painted word pdf
They strip out the visual humor. Reading The Painted Word without the images is like reading a play about a silent film — you get the script but lose the performance. The book is about the failure of the visual, so ironically, a text-only PDF proves Wolfe’s point (that words rule), but it also makes the book drier and less convincing. Wolfe argues that three men — critic Clement