
Âûøèâàëüíûå ìàøèíû TAJIMA
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ÏÐÎÃÐÀÌÌÍÎÅ ÎÁÅÑÏÅ×ÅÍÈÅ ÄËß ÑÎÇÄÀÍÈß ÂÛØÈÂÊÈ
TAJIMA DG/ML BY PULSE
èííîâàöèîííîå • èíòåëëåêòóàëüíîå • èíòåðàêòèâíîå
Tajima DG/ML by Pulse – ïðîãðàììíîå îáåñïå÷åíèå äëÿ ïðîåêòèðîâàíèÿ ïðîãðàìì âûøèâêè – îáëàäàåò âûñîêèì êà÷åñòâîì, ÿâëÿåòñÿ ïðèçíàííûì ëèäåðîì íà ìèðîâîì ðûíêå. Îíî ñïîñîáíî óäîâëåòâîðèòü ñàìûõ âçûñêàòåëüíûõ êëèåíòîâ.
Çà ñ÷åò ðàçëè÷íûõ óðîâíåé äàííîå ïðîãðàììíîå îáåñïå÷åíèå ìîæåò èñïîëüçîâàòüñÿ êàê êðóïíûìè øâåéíûìè ôàáðèêàìè, òàê è íåáîëüøèìè ÷àñòíûìè ïðåäïðèÿòèÿìè.
Ëó÷øèé âûáîð! Ëó÷øåå ðåøåíèå! Íà÷íèòå ñ ëþáîãî óðîâíÿ è ìîäåðíèçèðóéòå Âàøå ïðîãðàììíîå îáåñïå÷åíèå ïî ìåðå ðîñòà âàøåãî áèçíåñà! Êàæäûé óðîâåíü âêëþ÷àåò â ñåáÿ âñå ïðåäûäóùèå!
Èìååòå ëè âû íåáîëüøîé áèçíåñ èëè îãðîìíóþ êîðïîðàöèþ, Tajima DG/ML by Pulse èìååò ïðåâîñõîäíîå ðåøåíèå äëÿ Âàñ. Ïîðàçèòå ñâîèõ êëèåíòîâ ïðåâîñõîäíûì êà÷åñòâîì ñòåæêîâ è äîïîëíèòåëüíûìè âîçìîæíîñòÿìè íàïèñàíèÿ òåêñòà. Âïå÷àòëèòå âàøèõ ñîòðóäíèêîâ íàøèì ëåãêèì äëÿ îáó÷åíèÿ, äðóæåñòâåííûì ïðîãðàììíûì îáåñïå÷åíèåì.
Ïðîåêòèðîâàíèå âûøèâêè íà îñíîâå òåõíîëîãèè íàñòîÿùåé âåêòîðíîé ãðàôèêè (VBE) ñî âñòðîåííûìè èíñòðóìåíòàìè âåêòîðíîãî ïîñòðîåíèÿ ïîçâîëÿò Âàì ñîçäàâàòü ïî-íàñòîÿùåìó êà÷åñòâåííûå ïðîôåññèîíàëüíûå äèçàéíû.
VBE™ (Vector Based Embroidery) – Ïðîåêòèðîâàíèå âûøèâêè, îñíîâàííîå íà òåõíîëîãèÿõ âåêòîðíîãî ïîñòðîåíèÿ, – ýòî ñàìûé ïðîñòîé è ëåãêèé ïóòü ñîçäàíèÿ ïðîåêòîâ âûøèâêè. VBE™ òåõíîëîãèÿ ïîääåðæèâàåò ðèñîâàíèå êðèâûìè Áåçüå, êîòîðûå ïîçâîëÿþò ñîçäàâàòü êîíòóðû, èñïîëüçóÿ íàèìåíüøåå êîëè÷åñòâî òî÷åê ââîäà. Ýòî ïîçâîëÿåò âàì ëó÷øå êîíòðîëèðîâàòü ôîðìó âàøèõ êîíòóðîâ è äåëàåò ðåäàêòèðîâàíèå êîíòóðîâ ïðîñòûì è àáñîëþòíî áåçáîëåçíåííûì. Äëÿ òîãî ÷òîáû èçìåíèòü ôîðìó êîíòóðà, íå íóæíî çàíîâî îáðèñîâûâàòü êîíòóð, íóæíî âñåãî ëèøü ïîòÿíóòü çà ðåãóëÿòîðû (óñû) êðèâûõ Áåçüå, è êîíòóð íåìåäëåííî ïðèîáðåòåò æåëàåìóþ âàìè ôîðìó.
Ñîçäàâàéòå ñâîè ðàáîòû â Tajima DG/ML by Pulse ñ èñïîëüçîâàíèåì èíñòðóìåíòîâ íàñòîÿùåé âåêòîðíîé ãðàôèêè (VBE) ñî âñòðîåííûìè èíñòðóìåíòàìè âåêòîðíîãî ïîñòðîåíèÿ: "Ðàçðåçàíèå", "Èçîãíóòîå ðàçðåçàíèå", "Ðàçáèòü", "Êîìáèíèðîâàòü", "Ñìåùåíèå". VBE (òåõíîëîãèè íàñòîÿùåé âåêòîðíîé ãðàôèêè) ïîçâîëÿò Âàì áåç ïðîáëåì è äîïîëíèòåëüíûõ ñëîæíîñòåé ïðåîáðàçîâûâàòü âåêòîðíûå èçîáðàæåíèÿ â âåêòîðíûå èçîáðàæåíèÿ çàïîëíåííûå ñòåæêàìè, ÷òî â 2 ðàçà ñîêðàòèò âðåìÿ ñîçäàíèÿ ôàéëà âûøèâêè.
Äîïîëíèòåëüíàÿ âîçìîæíîñòü èìïîðòà è ýêñïîðòà âåêòîðíûõ èçîáðàæåíèé èç ïîïóëÿðíûõ ãðàôè÷åñêèõ ïðîãðàìì, òàêèõ êàê: CorelDraw® è Adobe® Illustrator®. Èìïîðòèðóéòå âåêòîðíûå èçîáðàæåíèÿ èç Adobe® Illustrator® è CorelDRAW® íàïðÿìóþ â Tajima DG/ML by Pulse ñ ñîõðàíåíèåì èñõîäíûõ âåêòîðíûõ òî÷åê è ïåðâîíà÷àëüíûõ öâåòîâ.
Èñïîëüçóéòå VBE™ òåõíîëîãèè â ëþáîì èç óðîâíåé ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG/ML by Pulse, èìïîðòèðóéòå âåêòîðíûå ôàéëû, êîïèðóéòå èëè âñòàâëÿéòå âåêòîðû èç ïîïóëÿðíûõ âåêòîðíûõ ïðèëîæåíèé, òàêèõ êàê: Adobe® Illustrator® è CorelDRAW®. Òåõíîëîãèè Tajima DG/ML by Pulse ïîçâîëÿþò èìïîðòèðîâàòü âåêòîðû, ñîõðàíÿÿ îðèãèíàëüíûå âåêòîðíûå óçëîâûå òî÷êè è öâåòà. Âìåñòî îáâåäåíèÿ ïðîåêòà çàíîâî, VBE ñðåäà ïîçâîëÿåò Âàì ñðàçó ïðåîáðàçîâûâàòü èçîáðàæåíèÿ â âûøèâêó, äåëàÿ ýòî òî÷íî, áûñòðî è íåïðèíóæäåííî!
Âûñî÷àéøåå êà÷åñòâî ãåíåðàöèè ñòåæêîâ ñ ðàñøèðåííûìè ôóíêöèÿìè êîíòðîëÿ êà÷åñòâà.
Íàøå âûñî÷àéøåå êà÷åñòâî ãåíåðàöèè ñòåæêîâ ÿâëÿåòñÿ íåïðåâçîéä¸ííûìè è íå èìååò àíàëîãîâ â âûøèâàëüíîé èíäóñòðèè. Ìû îáåñïå÷èâàåì íàèâûñî÷àéøåå êà÷åñòâî ãåíåðàöèè ñòåæêîâ, êîòîðîå òîëüêî âîçìîæíî.
Îáøèðíàÿ êîëëåêöèÿ ñîòåí âûøèâàëüíûõ øðèôòîâ ïðîôåññèîíàëüíîãî êà÷åñòâà è ïîääåðæêà TrueTape øðèôòîâ ãàðàíòèðóþò, ÷òî âû ñìîæåòå íàéòè ïîäõîäÿùèé øðèôò äëÿ ëþáîãî äèçàéíà.
Ñåòåâîå ñîåäèíåíèå âûøèâàëüíûõ ìàøèí Tajima.
Òîëüêî Tajima DGML by Pulse îáåñïå÷èâàåò ýêñêëþçèâíóþ ïîääåðæêó ñîåäèíåíèÿ ñ âûøèâàëüíûìè ìàøèíàìè Tajima (äëÿ ìàøèí, ïîääåðæèâàþùèõ ëîêàëüíîå ñåòåâîå ñîåäèíåíèå), è äëÿ âûøèâàëüíûõ ìàøèí Tajima, ïîääåðæèâàþùèõ äâóíàïðàâëåííîå ïîñëåäîâàòåëüíîå ñîåäèíåíèå.
Ñàìûå ñîâðåìåííûå ôóíêöèè ñîçäàíèÿ âûøèâêè áëåñòêàìè (ïàéåòêàìè) â îòðàñëè. Ñîçäàâàéòå äèçàéí âûøèâêè áëåñòêàìè ëåãêî è íåïðèíóæä¸ííî, èñïîëüçóÿ áîãàòûé íàáîð äîïîëíèòåëüíûõ èíñòðóìåíòîâ, âêëþ÷àÿ èíñòðóìåíòû: "Áë¸ñòêà", "Çàïîëíåíèå áë¸ñòêàìè", "Ñâîáîäíîå ðàñïîëîæåíèå áë¸ñòîê", "Ñìåíà öâåòà áîáèíû äëÿ áë¸ñòîê", "Ñìåíà öâåòà áîáèíû äëÿ çàïîëíåíèÿ áë¸ñòêàìè" è " Ïîâîðà÷èâàþùåå çàïîëíåíèå áëåñòêàìè ".
Èíñòðóìåíòû ñîçäàíèÿ äèçàéíà äëÿ Ëàçåðà, Òàìáóðíîé âûøèâêè è Ñòðàç ïîçâîëÿþò ñîçäàâàòü ðàçíîîáðàçíåéøèå äåêîðàòèâíûå ýôôåêòû. Èñïîëüçóéòå îïöèþ "Øåíèëü" (òàìáóðíàÿ âûøèâêà), ÷òîáû ñîçäàòü èç ëþáîãî ñåãìåíòà ñåò÷àòîå èëè ñïèðàëåâèäíîå çàïîëíåíèå òàìáóðíûìè ñòåæêàìè, ñòðî÷êè Ìàõðîâûìè èëè Öåïíûìè ñòåæêàìè, áûñòðî ïðåîáðàçîâûâàÿ îáû÷íûå èçîáðàæåíèÿ â ïðåêðàñíóþ Òàìáóðíóþ âûøèâêó ìàõðîâûìè èëè öåïíûìè ñòåæêàìè.
Ñîçäàâàéòå äèçàéíû ëàçåðíîé âûðóáêè è ãðàâèðîâêè, èñïîëüçóÿ èíñòðóìåíòû "Ëàçåðíàÿ âûðóáêà" è "Çàïîëíåíèå ëàçåðîì".
Ïàêåò èíñòðóìåíòîâ "Ñòðàçû" ïîçâîëèò Âàì óêðàñèòü äåêîðàòèâíûìè êàìíÿìè âàøè äèçàéíû âûøèâêè.
Tajima DG/ML by Pulse âêëþ÷àåò â ñåáÿ öåëûé ðÿä èíñòðóìåíòîâ è ôóíêöèé, êîòîðûå ïîçâîëÿþò óñêîðèòü ïðîöåññ ñîçäàíèÿ âûøèâêè. Ôóíêöèÿ "Àâòîîöèôðîâûâàíèå" àâòîìàòè÷åñêè êîíâåðòèðóåò îáû÷íûå èçîáðàæåíèÿ â âûøèâêó, òî÷íî è áåç óñèëèé.
Ðàçíîîáðàçüòå ñâîè äèçàéíû âûøèâêè, èñïîëüçóÿ Ñïåöèàëèçèðîâàííûå ñòåæêîâûå ýôôåêòû, òàêèå êàê: "Êîíòóðíûå ñòåæêè", "Çàïîëíåíèå Êàñêàäîì" è ìíîãèå äðóãèå óíèêàëüíûå ýôôåêòû.
Tajima DG/ML by Pulse ïîëíîñòüþ ñîâìåñòèìî ñ Windows 10, Windows 8 è Windows 7.
Âûáåðèòå Tajima DG/ML by Pulse!
Óðîâíè âûøèâàëüíîãî ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG15 by Pulse:

Maestro
Ïîëíûé ïàêåò VBE òåõíîëîãèé è íàïèñàíèå Òåêñòà, Ñîçäàíèå ïðîåêòîâ (äèçàéíîâ) âûñîêîêà÷åñòâåííîé âûøèâêè ýêñòðà-êëàññà, Ôóíêöèè àâòîìàòèçàöèè ðàáîòû è Ñïåöèàëüíûå ñòåæêîâûå ýôôåêòû.
Óðîâåíü Maestro – ýòî ñàìûé âûñîêèé óðîâåíü ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG/ML By Pulse. Óðîâåíü Maestro ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðîäâèíóòûì ïàêåòîì äëÿ ïðîåêòèðîâàíèÿ âûøèâêè èç äîñòóïíûõ ñåãîäíÿ. Áëàãîäàðÿ ïðîôåññèîíàëüíûì, óñîâåðøåíñòâîâàííûì VBE™ òåõíîëîãèÿì è âåêòîðíîé ïîääåðæêå ôàéëîâ, ôóíêöèÿì àâòîìàòèçàöèè ñîçäàíèÿ âûøèâêè, óâåëè÷èâàþùèì ïðîèçâîäèòåëüíîñòü, ñïåöèàëüíûì ýôôåêòàì ñòåæêîâ, òàêèõ êàê: àæóðíûå è äåêîðàòèâíûå ñòåæêè, "çàïîëåíèå ïî âîëíå (ïî èçîãíóòîé ëèíèè)" è "ôåéåðâåðê", óðîâåíü Maestro ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG/ML By Pulse îáåñïå÷èâàåò êîìïëåêñíûé ïîäõîä ñîçäàíèÿ âûñîêîõóäîæåñòâåííîãî äèçàéíà âûøèâêè.
Illustrator Extreme
Ïðîôåññèîíàëüíûå VBE òåõíîëîãèè è íàïèñàíèå Òåêñòà, Ñîçäàíèå ïðîåêòîâ (äèçàéíîâ) âûñîêîêà÷åñòâåííîé âûøèâêè è Èìïîðò/Ýêñïîðò Âåêòîðîâ.
Óðîâåíü Illustrator Extreme ïðåäóñìàòðèâàåò íåñêîëüêî ðàçëè÷íûõ ñïîñîáîâ ñîçäàíèÿ äèçàéíà âûñîêîêà÷åñòâåííîé âûøèâêè - îò òðàäèöèîííûõ äî áîëåå ïðîäâèíóòûõ. Ñïåöèàëüíûå äåêîðàòèâíûå ýôôåêòû ñòåæêîâ âûøèâêè è ïðîäâèíóòûå ôóíêöèè, áîëüøîé èíñòðóìåíòàðèé ðàçëè÷íûõ âèäîâ ñòåæêîâ ïðåäîñòàâëÿþò âîçìîæíîñòü ñîçäàâàòü êðàñèâóþ êà÷åñòâåííóþ âûøèâêó.
Creator
Íàïèñàíèå òåêñòà, Ñîçäàíèå ïðîåêòîâ (äèçàéíîâ) âûøèâêè è Ðåäàêòèðîâàíèå êîíòóðîâ.
Óðîâåíü Creator êàê è óðîâåíü Composer, ñîåäèíÿåò â ñåáå ñèñòåìó íàïèñàíèÿ òåêñòà, èíòåãðàöèþ â Corel Draw è ðåäàêòèðîâàíèå êîíòóðîâ, ïëþñ êî âñåìó ñîäåðæèò ïðîôåññèîíàëüíûå èíñòðóìåíòû äëÿ ñîçäàíèÿ ïðîåêòà âûøèâêè ñ íóëÿ. Óðîâåíü Creator èìååò âñ¸, ÷òî ìîæåò ïîíàäîáèòüñÿ äëÿ óñïåøíîãî íà÷àëà áèçíåñà íà÷èíàþùåìó ïðîèçâîäèòåëþ âûøèâêè.
Composer
Íàïèñàíèå òåêñòà, Ðåäàêòèðîâàíèå êîíòóðîâ è Àâòîîöèôðîâûâàíèå äèçàéíà âûøèâêè.
Óðîâåíü Composer ïîçâîëÿåò ñîçäàâàòü íàäïèñè ðàçëè÷íîé ôîðìû è ñòèëÿ, èñïîëüçóÿ âñòðîåííûå âûøèâàëüíûå øðèôòû, èëè êà÷åñòâåííî ïðåîáðàçîâûâàòü TrueType ® øðèôòû â êðàñèâûå íàäïèñè ãëàäüþ. Ïîçâîëÿåò äîáàâëÿòü òåêñò ê ãîòîâûì ôàéëàì âûøèâêè, çíà÷èòåëüíî ðàñøèðÿÿ ñôåðó ïðèìåíåíèÿ äèçàéíà âûøèâêè. Âñòðîåííàÿ îïöèÿ Draw Fusion èíòåëëåêòóàëüíî è èíòåðàêòèâíî êîíâåðòèðóåò (ïðåîáðàçîâûâàåò) âåêòîðû èçÿùíóþ âûøèâêó.
Âñå íèæåïåðå÷èñëåííûå óðîâíè ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG/ML by Pulse âêëþ÷àþò â ñåáÿ ñëåäóþùèå ñóùåñòâåííûå îñîáåííîñòè:
- Ôóíêöèÿ Àâòîìàòè÷åñêîãî Îöèôðîâûâàíèÿ - äàåò âîçìîæíîñòü àâòîìàòè÷åñêè ïðåâðàùàòü ëþáèìûå ðàñòðîâûå ðèñóíêè â âûøèâêó.
- Îïöèÿ Draw Fusion – èíòåãðàöèÿ ïðîãðàììû Corel Draw (12, 13, 14, 15 è 16 ïðîôåññèîíàëüíîé âåðñèè), îáåñïå÷èâàþùàÿ èìïîðò è ýêñïîðò âåêòîðíûõ èçîáðàæåíèé â ïðîãðàììíîå îáåñïå÷åíèå Tajima DG/ML by Pulse ñ ñîõðàíåíèåì öâåòà âåêòîðîâ è ñ ñîõðàíåíèåì ðàñïîëîæåíèÿ âåêòîðíûõ óçëîâûõ òî÷åê îðèãèíàëà.
- Ñâûøå 160 âûñîêîêà÷åñòâåííûõ âûøèâàëüíûõ øðèôòîâ, ïîääåðæèâàþùèõ ñîåäèíåíèå ìåæäó áóêâàìè ïî íàèìåíüøåìó ðàññòîÿíèþ ìåæäó áóêâàìè, âêëþ÷åííûõ â ñòàíäàðòíûé íàáîð, è ñâûøå 150 äîïîëíèòåëüíûõ øðèôòîâ (äîïîëíèòåëüíàÿ îïöèÿ).
- Ýêñêëþçèâíàÿ ïîääåðæêà ñîåäèíåíèÿ ïî ëîêàëüíîé ñåòè äëÿ âûøèâàëüíûõ ìàøèí Tajima, ïîääåðæèâàþùèõ LAN (ËÂÑ- ëîêàëüíî-âû÷èñëèòåëüíóþ ñåòü).
- Ïîääåðæêà ïîñëåäîâàòåëüíîãî äâóíàïðàâëåííîãî ñîåäèíåíèÿ äëÿ âûøèâàëüíîãî îáîðóäîâàíèÿ Tajima (Tajima Bi-directional serial communication) è ôàéëîâ ôîðìàòà .tbf.
- Ñîåäèíåíèå íàïðÿìóþ ñ âûøèâàëüíûìè ìàøèíàìè Tajima, Barudan, Brother, SWF, Toyota è ZSK.
- Ïðåäïèñàíèÿ - ñïåöèàëüíûå íàñòðîéêè äëÿ âûøèâàíèÿ íà îïðåäåëåííûõ ìàòåðèàëàõ.
- Ñîâðåìåííûé ïîëüçîâàòåëüñêèé èíòåðôåéñ âîáðàë â ñåáÿ ïðåèìóùåñòâà íîâåéøèõ òåõíîëîãèé, âêëþ÷àÿ àâòîìàòè÷åñêîå ñêðûòèå îêîí, êîãäà îíè íå èñïîëüçóþòñÿ, Ãëîáàëüíûé ïðîñìîòð è îêíà ôàéëîâ âûøèâêè â âèäå âêëàäîê äëÿ áûñòðîãî äîñòóïà.
- Âîçìîæíîñòü èçìåíÿòü è ñîõðàíÿòü íåñêîëüêî ðàáî÷èõ ïðîñòðàíñòâ äëÿ íàñòðîéêè ïî-íàñòîÿùåìó èíäèâèäóàëüíîãî ïðåäñòàâëåíèÿ ðàáî÷åãî ïîëÿ ïðîãðàììû; Ñîõðàíÿéòå ðàáî÷èå ïîëÿ äëÿ êàæäîãî äèçàéíà èëè äèçàéíåðà âàøåé êîìïàíèè.
- Ñïåöèàëüíîå èíòåðàêòèâíîå îêíî äàåò íîâûì ïîëüçîâàòåëÿì ÷¸òêèå ïîøàãîâûå èíñòðóêöèè.
- Ñîâìåñòèìîñòü ñ ñàìûìè ñîâðåìåííûìè êîìïüþòåðàìè, âêëþ÷àÿ ïîääåðæêó ìíîãîÿäåðíûõ ïðîöåññîðîâ äëÿ ïîâûøåíèÿ ïðîèçâîäèòåëüíîñòè è áûñòðîé ãåíåðàöèè ñòåæêîâ.
- Ïå÷àòü òåõíîëîãè÷åñêîé êàðòû âûøèâêè ñ èíôîðìàöèåé î äèçàéíå âûøèâêè è øòðèõ-êîäîì.
- Âñòàâêà è ñëèÿíèå âûøèâàëüíûõ ïðîåêòîâ, âõîäÿùèõ â êîìïëåêò ïðîãðàììíîãî îáåñïå÷åíèÿ: ñ äðóã ñ äðóãîì è ñ íàäïèñÿìè è ìîíîãðàììàìè.
- Åäèíîå îêíî äëÿ êðèâûõ è ñòåæêîâ, èñïîëüçóÿ ìîùíûé ôîðìàò ôàéëà .pxf.
ï€ - ×òåíèå è çàïèñü íàèáîëåå ïîïóëÿðíûõ ôîðìàòîâ âûøèâêè.
- Èíñòðóìåíòû ðåäàêòèðîâàíèÿ: èçìåíåíèå ðàçìåðà, âðàùåíèå è íàêëîí.
- Ðåäàêòèðîâàíèå ñòåæêîâ.
- Ýêñêëþçèâíûé äîñòóï ê âåá-ñòðàíèöå Pulse Today("Ïóëüñ Ñåãîäíÿ"). Íà äàííîé ñòðàíèöå ðàçìåùåíû ñòàòüè îò ýêñïåðòîâ èíäóñòðèè âûøèâêè è èíôîðìàöèÿ îò Pulse.
- Ñîâìåñòèìîñòü ñ Windows 10, Windows 8 è Windows 7.
- Ïàíåëü ïðîñìîòðà ïðîöåññà âûøèâêè: ðåàëèñòè÷íàÿ èìèòàöèÿ ïðîöåññà âûøèâêè ñòåæêîâ â ïðîåêòå, ïîçâîëÿþùàÿ ëåãêî èçìåíÿòü ñêîðîñòü è íàïðàâëåíèå ïðîñìîòðà.
Áîëüøîé âûáîð êàòàëîãîâ íèòåé: ïîçâîëÿåò ñîõðàíÿòü â åäèíîì ôàéëå íåñêîëüêî ïàëèòð âûøèâêè.  êàæäîé ïàëèòðå ìîæíî çàäàâàòü ðàçëè÷íûå öâåòà òêàíåé, òàêæå çàäàâàòü îäíîìó è òîìó æå äèçàéíó âûøèâêè ðàçëè÷íûå öâåòà íèòåé èç êàòàëîãîâ ðàçëè÷íûõ ïðîèçâîäèòåëåé íèòåé.
Îñîáåííîñòè 14 (2010) âåðñèè ïðîãðàììíîãî îáåñïå÷åíèÿ äëÿ ïðîåêòèðîâàíèÿ âûøèâêè Tajima DG/ML by Pulse. Îòêðûòü>>
Îñîáåííîñòè 13 (2009) âåðñèè ïðîãðàììíîãî îáåñïå÷åíèÿ äëÿ ïðîåêòèðîâàíèÿ âûøèâêè Tajima DG/ML by Pulse. Îòêðûòü>>
Rangitaranga -2015- -
As a director, Bhandari shows remarkable restraint. He doesn’t rush the reveal. He lets scenes breathe, allows the camera to linger on a character’s uncertain glance, a shadow moving behind a curtain. In an industry often driven by melodrama and star vehicles, RangiTaranga felt like a European art-house thriller translated into the language of coastal folklore. Nirup Bhandari as Indu brings a quiet intensity—neither a typical hero nor a neurotic mess, but a believable man being slowly unhinged. Radhika Chetan as Mythri walks a difficult line between vulnerable and eerie. But the film’s secret weapon is Avinash as Shyama—a character whose jovial exterior hides layers of sorrow and menace. The casting resists the usual tropes: no muscle-flexing hero, no item song, no comic sidekick talking down to the audience. Why It Still Matters Ten years on, RangiTaranga is remembered as the film that proved Kannada cinema could compete on the strength of script and craft alone. It came before KGF and Vikrant Rona , before the pan-Indian explosion. It showed that a regional film could be structurally ambitious without imitating Hollywood or Bollywood. It borrowed from Agatha Christie and Satyajit Ray but felt completely rooted in the red soil of coastal Karnataka.
Moreover, it redefined what a "hit" could look like. RangiTaranga earned most of its money through word-of-mouth, not opening weekend frenzy. It played in single screens and multiplexes alike, and found a second life on digital platforms, gathering a cult following among non-Kannada audiences. RangiTaranga translates to "color wave"—a fitting name for a film that arrived like a tide, slowly rising, then pulling the entire industry into its current. It’s not a perfect film. Some may find the first half deliberately slow, or the final twist slightly over-explained. But perfection was never the point. The point was to trust the audience, to treat cinema as a conversation rather than a command. rangitaranga -2015-
Here’s a feature-style look at the 2015 Kannada film , focusing on what makes it a standout piece of modern Indian cinema. RangiTaranga (2015): The Quiet Earthquake That Redefined Kannada Cinema In 2015, a modestly budgeted film with no bankable stars and a first-time director walked into theatres. It left with something more valuable than box office numbers—a legacy. RangiTaranga , directed by Anup Bhandari, didn't just succeed; it announced the arrival of a new cinematic language in Kannada film industry, one built on mystery, atmosphere, and intellectual thrill. A Puzzle Box Wrapped in Coastal Mist On the surface, RangiTaranga is a homecoming thriller. Writer Indu (played by Nirup Bhandari) returns to his ancestral village after his father’s death, only to find his pregnant wife, Mythri (Radhika Chetan), behaving strangely. But the film quickly sheds its domestic skin. What follows is a layered narrative involving a missing girl named Gaadha, a hidden island, a mythical tree, and a truth buried in folk songs. As a director, Bhandari shows remarkable restraint
In an era of loud announcements and formulaic blockbusters, RangiTaranga whispered a revolution. And it’s still echoing. In an industry often driven by melodrama and
What sets RangiTaranga apart is its refusal to treat its audience as passive consumers. The film works like a literary whodunit—dropping clues, misdirecting, and demanding active engagement. It’s a mystery where the landscape itself becomes a character. The coastal Karnataka backdrops—endless areca plantations, misty rivers, and crumbling mansions—are not just beautiful; they are oppressive, secretive, and integral to the plot. Anup Bhandari was an outsider. A software engineer turned filmmaker, he wrote, directed, and even composed the music for RangiTaranga . That last detail is crucial. Bhandari’s background score is not mere accompaniment; it’s a narrative device. The haunting flute motifs, the sudden silences, the percussive build-ups—they tell you when to lean in and when to be afraid. The song "Kannalli" became an anthem not just for its melody, but for how it was woven into the film’s emotional core.
Íå ñåêðåò, ÷òî â ïîòîêå ðàçíîîáðàçíûõ ïðåäëîæåíèé ñäåëàòü ïðàâèëüíûé âûáîð ïîðîé áûâàåò î÷åíü ñëîæíî…
Ïîêóïêà ïðîãðàììíîãî îáåñïå÷åíèÿ äëÿ ïðîåêòèðîâàíèÿ âûøèâêè íå äîëæíà áûòü òðóäíîé! Âîò íåêîòîðûå ãëàâíûå àñïåêòû, êîòîðûå Âû äîëæíû ó÷èòûâàòü: - True Vector-Based Embroidery – Ïðîåêòèðîâàíèå âûøèâêè íà îñíîâå íàñòîÿùåé âåêòîðíîé òåõíîëîãèè.
Áîëüøèíñòâî êîìïàíèé óòâåðæäàþò, ÷òî îíè èñïîëüçóþò âåêòîðíóþ òåõíîëîãèþ, íî âîò Âàì òåñò: ïîïðîáóéòå èìïîðòèðîâàòü èçîáðàæåíèÿ èç CorelDraw ™ è Adobe Illustrator® áåç ñîçäàíèÿ ñîòíè íîâûõ âåêòîðíûõ òî÷åê èëè ïîòåðè öâåòîâ. Tajima DG/ML by Pulse èìïîðòèðóåò ôàéëû èç íàèáîëåå ïîïóëÿðíûõ âåêòîðíûõ ãðàôè÷åñêèõ ïðîãðàìì, ñîõðàíÿÿ ïåðâîíà÷àëüíûå âåêòîðíûå òî÷êè è öâåòà, ýêîíîìÿ Âàøå âðåìÿ è äåíüãè.
- Ñåðòèôèêàò Microsoft®
Windows® ïîñòîÿííî ìîäåðíèçèðóåòñÿ. Áóäåò ëè Âàøå ïðîãðàììíîå îáåñïå÷åíèå äëÿ ïðîåêòèðîâàíèÿ âûøèâêè ðàáîòàòü õîðîøî ñî ñëåäóþùåé âåðñèåé Windows® èëè ñî ñëåäóþùèì îáíîâëåíèåì Windows®? Âîïðîñû î÷åíü âàæíûå. È ðåøàòü ïîäîáíûå âîïðîñû íóæíî åùå äî ïîêóïêè ïðîãðàììíîãî îáåñïå÷åíèÿ. Íàøå ïðîãðàììíîå îáåñïå÷åíèå ïîëó÷èëî ñåðòèôèêàò îò Microsoft Windows®. À Âàøå?
- Âûñîêîå Êà÷åñòâî Çàëîæåíèÿ Ñòåæêàìè
Íàøå êà÷åñòâî çàëîæåíèÿ ñòåæêàìè âåäåò âïåðåä èíäóñòðèþ âûøèâêè, èñïîëüçóÿ âûñîêèå òåõíîëîãèè, êîòîðûå ãàðàíòèðóþò îòëè÷íîå êà÷åñòâî ñòåæêîâ êàæäûé ðàç.
- Òåõíè÷åñêèé Ëèäåð
Tajima è Pulse ïîñòîÿííî ðàçâèâàþò èííîâàöèîííûå ñïîñîáû, ÷òîáû äåëàòü âàøó ðàáîòó áîëåå ëåãêîé. Êàê ðåçóëüòàò, êîìïàíèÿì Tajima è Pulse ïðèñóæäåíî áîëüøåå êîëè÷åñòâî ïàòåíòîâ, ÷åì ëþáîé äðóãîé êîìïàíèè â âûøèâàëüíîé ïðîìûøëåííîñòè.
- Òåõíè÷åñêàÿ Ïîääåðæêà è Ñåðâèñíîå îáñëóæèâàíèå
Ïåðåä ïîêóïêîé ïðîãðàììíîãî îáåñïå÷åíèÿ ñîâåòóåì âûÿñíèòü, îñóùåñòâëÿåò ëè ôèðìà òåõíè÷åñêóþ è ïðîãðàììíóþ ïîääåðæêó, äàåò ëè ãàðàíòèþ íà ñâîþ ïðîäóêöèþ. (Áîëüøèíñòâî ðîññèéñêèõ ôèðì, ïðåäñòàâëåííûõ â âûøèâàëüíîé ïðîìûøëåííîñòè, íå äàþò ãàðàíòèþ íà ñâîþ ïðîäóêöèþ, ñîîòâåòñòâåííî, è ïîíÿòèÿ «ãàðàíòèéíûé ðåìîíò» äëÿ íèõ íå ñóùåñòâóåò.) Ïðè ïîêóïêå ïðîãðàììíîãî îáåñïå÷åíèÿ ðåêîìåíäóåì òàêæå âûÿñíèòü: - Ïðîâîäèò ëè ôèðìà-ïðîäàâåö îáó÷åíèå ðàáîòå ñ ïðîãðàììíûì îáåñïå÷åíèåì
- Âîçìîæíû ëè áåñïëàòíûå êîíñóëüòàöèè ïîñëå ïðîõîæäåíèÿ îáó÷åíèÿ
- Ïðåäîñòàâëÿåò ëè ôèðìà áåñïëàòíûå îáíîâëåíèÿ (update) ïîñëå ïîêóïêè ó íåå ïðîãðàììíîãî îáåñïå÷åíèÿ
Íàøà ôèðìà óâåðåííî îòâåòèò íà âñå ýòè âîïðîñû «ÄÀ». Áîëåå òîãî, âëàäåëüöû ïðîãðàììíîãî îáåñïå÷åíèÿ Tajima DG/ML ôèðìà Pulse ïîëó÷àþò ïîääåðæêó íå òîëüêî â Ìîñêîâñêîì îôèñå, íî è ïî Ñåâåðîàìåðèêàíñêîìó áåñïëàòíîìó íîìåðó, ïîääåðæêó ïî ýëåêòðîííîé ïî÷òå, on-line ïîìîùü, ãðóïïîé îáñóæäåíèÿ ýëåêòðîííîé ïî÷òû è îáó÷àþùèìè êîìïàêò-äèñêàìè.
- Ìîäåðíèçàöèÿ äî áîëåå âûñîêîãî óðîâíÿ
Tajima DG/ML by Pulse èìååò 4 ðàçëè÷íûõ óðîâíÿ, ïîýòîìó ìîæåò èñïîëüçîâàòüñÿ êàê êðóïíûìè øâåéíûìè ôàáðèêàìè è äèçàéí-ñòóäèÿìè, òàê è íåáîëüøèìè ÷àñòíûìè ïðåäïðèÿòèÿìè. Ñ Tajima DG/ML by Pulse Âû ìîæåòå íà÷àòü ñ ëþáîãî óðîâíÿ è ìîäåðíèçèðîâàòü Âàøå ïðîãðàììíîå îáåñïå÷åíèå ïî ìåðå ðîñòà âàøåãî áèçíåñà, ò.å. Âàì íå ïðèäåòñÿ ïîêóïàòü ñëåäóþùèé óðîâåíü çà ïîëíóþ öåíó.
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àðõèâ íîâîñòåé
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