Nas Ft Damian Marley Page

They realized they were singing the same song: one about colonization, survival, and the false borders drawn by cartographers. Released in May 2010, Distant Relatives was promoted as a charitable project (proceeds went to schools in Africa), but it played like a manifesto. Produced largely by Damian Marley and Stephen Marley, with assists from Salaam Remi and DJ Khalil, the album didn’t sound like a rapper trying reggae or a reggae singer trying to rap. It sounded like a third genre entirely.

“It was natural,” Damian Marley told Rolling Stone at the time. “We saw the world the same way. Hip-hop sampled reggae. Reggae listened to hip-hop. But we wanted to make something that wasn’t a sample—it was a live conversation.” Nas Ft Damian Marley

Nas, who had spent the 2000s navigating the spiritual aftermath of his Illmatic genius and the street epics of It Was Written , was deep into his "rebel" phase. He had just released Untitled (originally Nigger ), a controversial deep dive into racial etymology. Damian, the youngest Marley brother, had already won three Grammys and pushed roots reggae into the 21st century with the gritty, dancehall-infused Welcome to Jamrock . They realized they were singing the same song:

More importantly, the album proved that Black music from the Americas could return to its source without appropriation. Nas and Damian didn't "discover" Africa for their audience; they reminded them they never left. Fans have clamored for a sequel for years. Both artists have hinted at it: In 2019, Nas told GQ that he and Damian "still talk weekly," and in 2023, Damian posted a studio photo with Nas, captioned simply: "Relatives never left." It sounded like a third genre entirely

Critics were stunned. The Guardian gave it 4/5 stars, calling it "a dense, rich journey that rewards repeated listening." Pitchfork noted that while it occasionally felt preachy, "the conviction is impossible to fake." The Distant Relatives world tour was a logistical marvel. Nas and Damian traveled with a full 10-piece band—no backing tracks, just live drums, keyboards, and horns. On stage, the dynamic was electric: Nas, the frantic, storytelling poet pacing the stage; Damian, the stoic, velvet-voiced general holding the rhythm.