It is the closest a video game has ever come to replicating the high of a runner’s high. And then the cutscene starts.
The narrative is not bad enough to ruin the game, but it is utterly weightless. You aren’t running to save your sister (the original’s emotional core). You are running because the game told you to. This brings us to the central controversy: Did Catalyst need to be open world?
Just run. Don’t stop.
And yet, for a certain type of player, Catalyst is essential.
In 2008, a first-person parkour game called Mirror’s Edge crashed onto the scene like a glass bottle hitting concrete. It was sharp, fragile, and utterly unlike anything else. Players weren’t a hulking space marine; they were Faith Connors—a lithe, tattooed runner with a bright shock of red hair, a tragic sister, and a desperate need to keep her feet off the ground. Mirrors Edge Catalyst
You can run from the lowest slums to the billionaire’s penthouses without ever touching the ground. That is the game’s greatest miracle. If you only play Catalyst for an hour, you will likely be frustrated. The combat is floaty, the story is forgettable, and Faith trips over curbs with alarming frequency.
You have seen this before. Every villain is a caricature. Every ally is a walking trope. The dialogue sounds like it was translated from a different language. You will spend hours running fetch quests for "Noah" or "Icarus," characters who explain their motivations in exposition dumps while you stand there, tapping your foot, wanting to run. It is the closest a video game has
But if you stick with it, something clicks.