Im Taking Charge 2024 Nubile English Short Film... Guide

Here is everything you need to know about the film that is sparking conversations about consent, confidence, and the power of the female gaze. The film follows Maya (played by newcomer Celine Arden) , a 19-year-old university student living in a chaotic London house-share. On the surface, Maya is the archetypal "people-pleaser"—she laughs at her landlord’s misogynistic jokes, lets her boyfriend track her location, and apologizes for existing in lecture halls.

Recommended for fans of: Promising Young Woman , Shithouse , Kajillionaire . Content warning: Discussion of non-consensual contact, mild language, emotional distress. Streaming on MUBI starting March 8, 2025. Trailer available at NubileFilms.co.uk/ImTakingCharge. Im Taking Charge 2024 Nubile English Short Film...

The inciting incident is deceptively simple: After a party, a male friend kisses her without asking. Maya doesn't scream or slap him. Instead, she freezes. The film spends its first ten minutes in suffocating silence, using extreme close-ups of Arden’s trembling hands and darting eyes. Then, the turning point. Maya finds a discarded self-help cassette tape (a brilliant anachronistic choice by Vane) titled “Assertiveness for the Modern Woman.” The tape’s crackling voice utters the title line: “I am taking charge.” Here is everything you need to know about

As of November 2024, I’m Taking Charge has secured distribution with and BFI Player , with a planned release on International Women’s Day 2025 . A 10-minute behind-the-scenes featurette, “Learning to Say It,” is already available on Nubile Films’ YouTube channel. Final Verdict: Why You Should Watch I’m Taking Charge 2024 is not a perfect film. Its runtime feels rushed in the third act, and the male characters remain somewhat underwritten. But perfection is not the point. This is a film about practice —the awkward, repetitive, brave act of practicing agency until it becomes muscle memory. Recommended for fans of: Promising Young Woman ,

By Ananya S. | Film & Culture