Cidfont F1 F2 F3 F4 F5 F6 -

Typography isn’t decoration. It’s interface. Choose accordingly.

is not a single typeface. It is a six-axis modular system — a typographic toolkit built for variable environments, from embedded UI to massive billboards.

Data tables, terminal UIs, industrial labels. F2 – The Reader’s Companion Slightly opened apertures. Generous x-height. F2 takes F1’s bones and adds breath. Counters are rounded. Spacing expands. This is your long-form email, documentation, or help center face. It never tires the eye. Cidfont F1 F2 F3 F4 F5 F6

For years, designers have juggled between legibility, personality, and technical constraints. We’ve watched display fonts dominate headlines while body text suffers, and we’ve seen Latin-centric designs fail to scale gracefully across scripts.

Test F1–F4 today (free tier: 3 weights, personal use). F5 and F6 require a studio license – but if you’re building something worth remembering, you’ll know why. Typography isn’t decoration

Let’s break down each weight / style: Minimal contrast. Geometric precision. F1 is the foundation. Think DIN meets Futura, but stripped of all ornament. Perfect for wayfinding, code editors, and dashboards. It shines at 8px and 80mm alike. F1 asks nothing of you except clarity.

Mobile apps, car dashboards, smartwatch faces. F5 – The Display Aggressor High contrast. Compressed width. Dramatic thins. F5 is loud – but intentional. It wants to be a poster. A hero header. A merch drop. Use it sparingly, but when you do, people will stop scrolling. The thins almost disappear, forcing the thick strokes to carry all the weight. is not a single typeface

Today, we stop that compromise.