Penny Reid , Mia Sheridan , Colleen Hoover (specifically It Ends With Us ), and anyone who likes a hero who falls first and falls harder.
At first glance, Chloe Walsh’s Binding 13 looks like a familiar play: the massive, brooding rugby star and the fragile, mysterious new girl. It’s a setup that has fueled countless young adult and new adult romances. But to dismiss this door-stopper of a novel (clocking in at over 500 pages) as just another sports romance would be a massive fumble.
Binding 13 is the first book in the Boys of Tommen series, and it has garnered a cult following for a reason. It doesn’t just rely on the tropes of the genre; it weaponizes them to tell a devastatingly real story about trauma, found family, and the quiet violence of high school hierarchy. The book’s emotional anchor is Shannon Lynch. Having survived a horrific bullying incident at her previous school in Dublin, she arrives at the elite Tommen College with a stutter, severe anxiety, and a home life that is far from the privileged world of her peers. Walsh does not romanticize Shannon’s pain. Instead, she makes the reader feel every flinch, every panic attack, and every attempt to become invisible. Binding 13-
Binding 13 is a masterpiece of emotional hurt/comfort. It will break your heart, stitch it back together, and leave you immediately reaching for the sequel, Keeping 13 . It proves that the best sports romances aren’t about the game you play, but the game of surviving high school, family, and yourself.
The chemistry between Johnny and Shannon works because they save each other quietly. Johnny doesn’t fix Shannon; he simply refuses to look away. He becomes her "binding" – a human anchor who holds her together not by force, but by consistent, unwavering presence. The romance is a slow burn of epic proportions, relying on longing glances and barely-there touches that feel more electric than any explicit scene. What elevates Binding 13 above standard YA/NA fare is its villain. The antagonist is not a rival for Johnny’s affection or a mean girl on the pitch. It is Shannon’s father, Teddy Lynch. The depiction of domestic abuse is visceral, cyclical, and terrifyingly mundane. Walsh writes these scenes with a raw, unflinching eye that forces the reader to understand why Shannon cannot just "leave" or "tell someone." Penny Reid , Mia Sheridan , Colleen Hoover
The prose can be repetitive at times, and the Irish slang may require a glossary for non-Irish readers, but these are minor quibbles. Walsh has a talent for writing dialogue that feels authentic to teenagers—messy, passionate, and often funny, providing necessary relief from the darker themes.
Furthermore, the book explores the failure of institutions. The school, the coaches, and even the police are either complicit or ineffective. The only true justice in the novel is the loyalty of a teenage boy who is willing to risk his entire future for the girl sitting alone in the library. Binding 13 is not a light read. It comes with a laundry list of trigger warnings (child abuse, bullying, panic disorders, injury). However, for readers who appreciate emotional devastation with a hard-won happy ending, it is unparalleled. But to dismiss this door-stopper of a novel
Where many romance novels create a "strong female lead" who overcomes obstacles with snark, Shannon’s strength is far more subtle: it is endurance. Her journey is not about becoming a different person, but about finding a sliver of safety in a world that has taught her she deserves none. Johnny Kavanagh is the poster boy for Irish rugby—Ireland's under-20 captain, destined for professional glory. On the surface, he is the "sun" to Shannon’s "moon." But Walsh cleverly subverts the typical jock archetype. Johnny isn't a bully or a playboy; he is a perfectionist trapped in a gilded cage. His trauma is physical (chronic injury threatening his career) and psychological (the pressure from his obsessive father).