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Backstreet Boys - I Want It That Way -fuentez -... 🆒 đŸ“„

Others insist “Fuentez” is a misspelling of , a Swedish session musician who worked on Millennium ’s “Don’t Want You Back.” But BMI and ASCAP databases show no “Fuentez” attached to “I Want It That Way.”

“I Want It That Way” began as a ballad. Martin and Carlsson had a chord progression and a title: “I Want It That Way.” Carlsson later admitted the phrase was deliberately ambiguous—a breakup song where the narrator insists on emotional distance, or a love song about accepting a partner’s flaws? Both readings work. Neither is fully satisfying. That’s the point.

Given that, I’ll write a detailed feature article exploring the — and address the possible "Fuentez" reference as either a misattribution, fan theory, or lesser-known session musician . The Eternal Enigma: How Backstreet Boys’ “I Want It That Way” Became Pop’s Perfect Paradox — and the Mystery of “Fuentez” Prologue: A Song That Means Everything and Nothing In March 1999, five young men from Orlando—Nick Carter, Howie Dorough, Brian Littrell, AJ McLean, and Kevin Richardson—stood in a Stockholm recording studio, staring at lyrics that made little grammatical sense. “You are my fire / The one desire / Believe when I say / I want it that way.” Even Brian Littrell, who would later deliver the song’s aching bridge, reportedly asked producer Max Martin: “What does ‘I want it that way’ actually mean?” Backstreet Boys - I want it that way -Fuentez -...

In early 1999, before the final version was recorded, a session guitarist named (according to uncorroborated forum posts from ATRL and UKMix) was brought in to play the song’s clean electric guitar arpeggios. His contribution, some claim, was the “spark” that turned the demo into a hit—adding a Latin-tinged warmth to the sterile Swedish production.

A more romantic theory: “Fuentez” was a pseudonym for , the co-writer of “Quit Playing Games (With My Heart).” Crichlow is of Trinidadian descent—not Spanish—so unlikely. Or perhaps “Fuentez” refers to Martin Fuentes , a sound engineer at Cheiron who allegedly added the reverse reverb on the final chorus. Others insist “Fuentez” is a misspelling of ,

In 2017, a Reddit user claiming to be Fuentez’s nephew posted: “My uncle Carlos played the arpeggios. He said Max Martin made him redo it 40 times until it ‘felt like a heartbeat.’ They paid him $800 and a pizza.” The post was deleted, but screenshots remain.

But the demo was slower, sadder, more R&B. Backstreet’s label, Jive Records, wanted a lead single that could conquer Top 40 radio. Martin sped it up, added a synth arpeggio, and layered the vocals until the melancholy was buried under euphoria. Here’s where the name “Fuentez” enters the story—though no official credit exists. Neither is fully satisfying

Musicologist Nate Sloan calls this “emotional prosody mismatch”: the music says I love you , the lyrics say This hurts . That tension is why the song works as both a swooning prom slow-dance and a cathartic breakup anthem. It’s a Rorschach test in 3/4 time.

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